LEGO Space: Building the Future
by Peter Reid and Tim Goddard
published by No Starch Press
Disclaimer: I received a free review copy from No Starch Press.
I was very excited to read this book because space has always been one of my favorite LEGO themes. In some ways this book exceeded my expectations, particularly in the way that it pays homage to the old LEGO themes of classic space, ice planet, Blacktron, and Space Police, while creating things that are new and different.
The book is different from most LEGO books I can think of in that it tells a fictional story, starting from the US space program in the 1960s (Neil Armstrong’s footprint on the moon on p.7 is particularly nice) through to the distant future. It uses photographs of LEGO to illustrate this science fiction, as well as 3d renderings of the step-by-step instructions on how to build some of the models. These instructions are the only real ways in which the ‘fourth wall’ of the fictional universe is broken.
The story is a neat excuse for the authors to bring in elements from the various themes that I mentioned, starting with classic space (“The Federation” – pp. 20-59). If you’re unfamiliar with this theme, see http://lego.wikia.com/wiki/Classic_Space?file=Classic_Space_1979.jpg. The models that they show for this do a great job of keeping the color scheme (yellow, blue, grey) of the builds, while adding much more sophistication and detail than were ever present in the original sets.
The story continues on to Ice planet (see e.g. http://lego.wikia.com/wiki/Ice_Planet_2002), which this story renames as “Inhospitable Climate Engineers (ICE)” (pp.62-85). This was one of my favorite themes growing up, and I love how the authors have retained the blue, white, and orange color scheme in their builds, while introducing entirely new concepts, such as the ICE robots (pp. 76-77). The snowmobile build on p. 75 is also impressive.
Blacktron is up next (http://lego.wikia.com/wiki/Blacktron) starting around p. 116. One of my favorite two page spreads in the book is on pp. 122-123, in which these Blacktron lookalikes are attacking the Octania refueling ship. Fans of LEGO will instantly recognize that the name and color scheme (red, white, and green) of the Octania are a reference to Octan, the gas station in the town sets. (See http://lego.wikia.com/wiki/Octan)
The last main theme covered by the book is Space Police I (http://lego.wikia.com/wiki/Space_Police_I), whose ships are often black and blue, with distinctive transparent red canopies. The authors bring these into a more modern palette by changing the shade of blue and using many pieces which were not yet manufactured during the Space Police I theme (1989-1991).
Overall this book is amazing. My only problem with it is the story and prose. Here is one short excerpt:
“In the medical bay, the doctor was able to realize his increasingly bizarre dreams. His ambition reached new heights, and he went about his work with newfound passion. His scientific breakthroughs were as terrible as they were incredible” (p. 125)
I find that the writing is cliched and lackluster. The story is completely forgettable (I am struggling to remember one aspect of it after having read it about 2 weeks ago). I don’t think you would miss much just by looking at the pictures and admiring the models and skipping the story entirely.
The models are incredible in this book, and so too are the lighting and photography. This is an extremely well produced book, and some of the two page spreads could have come straight out of a movie. For instance, see pp. 154-155 which shows 3 soldiers in exoskeletons fighting off a mass of incoming aliens. The scene is shot from an overhead perspective, and you can see that the three soldiers are about to back right into each other, with no hope of escape.
If you are a fan of the LEGO space themes that I mentioned, then you will enjoy this book. It is full of fan service (e.g. the Octania ship I mentioned earlier), and all of the models are top notch. They manage to evoke the original theme without just copying directly. They bring the old styles into the modern day, using updated colors and pieces, and taking advantage of the roughly 20 years of progress between these early sets and today.